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IWW
Practice-W Exercise Archives
Exercise: Where are we?
These exercises were written
by IWW members
and administrators to provide structured practice opportunities for its
members.
You are welcome to use them for practice as well. Please mention that
you found
them at the Internet Writers Workshop
(http://www.internetwritingwor
kshop.org/).
Prepared by: Carter Jefferson
Posted on: Sunday, 26 Nov 2006
Re-posted on: Sunday, 27 Jan 2008
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Exercise: In 300 words or less, set the scene for a story or memoir.
Let your
characters begin to live out their drama in a place readers can
visualize. Use
whatever sensual clues you need to provide a realistic space in which
your story can
develop.
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Readers may not think they pay much attention to the details of the
setting, but they
are influenced by the location of the drama, for it gives them clues
about the story.
People behave differently in different settings. In a church they may
be solemn, at a
football game noisy, in a gentleman's club formal and polite.
Some writers start their stories by simply describing the setting.
Others reveal the
scenery as the narrative moves along, but usually readers know where
they are
fairly soon after the piece begins.
Just writing that we're in a barn doesn't cut it. Is it light or dark?
Mice rustling
around? Horses in their stalls? Hay in racks above? Or is it completely
deserted,
with cobwebs in the corners and old tools rusting on the ground? How
does it smell?
Is it dry or damp? Barns differ, and so do the stories they house.
You must include enough setting to let it provide a stage for the
characters, but not
so much that it overwhelms the story. There's no "right" way to do it,
but if your
way works, it's right.
If you're looking for models, consider Shirley Jackson's "The Lottery";
Poe's "Fall
of the House of Usher"; or Irwin Shaw's "The Girls in Their Summer
Dresses." All
of those and a hundred more are online at www.classicshorts.com/.
-------------------------
Exercise: In 300 words or less, set the scene for a story or memoir.
Let your
characters begin to live out their drama in a place readers can
visualize. Use
whatever sensual clues you need to provide a realistic space in which
your story can
develop.
-------------------------
In your critique, tell the writer whether you can visualize the
setting. Does it hint at
what might be coming? What role does the setting play in the story?
What other
details could have been added to improve the story? And, as always,
critique the
writing.
Web site created by
Rhéal Nadeau and
the administrators of the Internet Writing Workshop.
Modified by Gayle Surrette.
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