Prepared by: Rhéal Nadeau
Posted on: Sun, 28 Oct 2001
Revised and reposted on: Sun, 17 Oct 2004
This is going to be a different exercise
from what we've done
before.
In particular, this exercise will include a component that will run
past
the end of the week - a long-term exercise - as well as a portion to be
done this week.
One of the writing "rules" we writers run
into is "Write what you
know".
Certainly, as a reader, there is nothing more jarring than running into
a blatant piece of incorrect information in a book - it can weaken, or
even totally destroy, the suspension of disbelief required for the act
of
reading.
Some writers find this rule discouraging -
as if it would limit what
they can write about. As a male, for example, can I never attempt to
write from the point of view of a woman, because I have not experienced
directly what it's like to be a woman?
I like to turn the rule around: Know what
you write. And what is
knowledge? It is the sum of what we have learned, in various ways:
what I have experienced directly, what I have heard others tell me,
what
I have researched (in books or in the field).
Dick Francis gives us a good example of
that. Before he started to
write, he was a jockey (and a highly successful one at that.) So when
he began to write, he wrote about jockeys and about the horse racing
world - he wrote what he knew. But he did not stop there. As his
writing career progressed, he started to write about people in
different
professions or walks of life: about a banker, a wine merchant, an
actor, a survivalist, and so on. In each case, he did enough research
(assisted, we have since learned, by his wife) to get enough knowledge:
he made sure he knew what he wrote about.
(This example, by the way, demonstrates
that research is just as
important for fiction as for non-fiction.)
To me, experiencing something other than
my day-to-day life is a
major
attraction of reading - and of writing.
This exercise, then, is about research -
something all writers
should be
familiar with (but many writers, myself included, are weak on). And
because research on anything of real interest can hardly be completed
within the short time frame of our exercises, this will be an exercise
in two parts.
First, the regular exercise. Do some
research on some topic
applicable
to a story you are working on or would like to write, or just something
you feel you could learn more about. Make sure to pick a topic
with which you're not already familiar. You can search the web (all
writers should have a favourite search engine and experience in
searching - my favourite search engine is at http://www.google.com),
go
to the library, consult someone more knowledgeable in that area (most
people are happy to share their knowledge when asked - as long as they
have the time to do so, of course.) Ideally, you should seek more than
one source of information (if only to make sure the information you get
is reliable - but also to give a broader base of information.)
Remember that good research is creative.
Think about who might have
knowledge to share, and how you might ask them to do so. Think of
potential learning experiences - if your interest is in a building
trade,
for example, your local harware store might have free demonstrations,
or
be able to point you to some.
Then, in no more than 1000 words, tell us
what topic you researched,
where you looked for information, and (in brief) what you have learned.
Critics can evaluate the information
reported (if sufficiently
knowledgeable), how it is presented, and suggest other potential
sources
of information on the topic.
OK, that's the short term. However, we can
only learn so much in a
week. So I am instituting a longer term exercise, running until the end
of the year.
Basically, continue the research on the
topic you've chosen, or on a
new
topic of interest. Don't let this take over your life, but look for
more information (maybe reading a book or two on the topic, for
example), and in particular, for more direct experience. For example,
if my topic was caves, I might make arrangements to visit a nearby cave
to see what it's really like - something I can't really learn from
books, or even from talking to experts.
(Be careful, of course - don't blindly
rush into caverns without
assistance; don't try to interview drug users unless you can find a
safe
way to do so, and so on. Some topics can only be *really* experienced
with significant personal risk - in those cases, it's best to rely on
second-hand sources of information.)
At any time until the exercise is
terminated, you can post your
methods
and results (no more than 1500 words - we don't need to know everything
you've learned, just the broad outlines of what you did and found out.)
After this week, for the long-term
exercise, clearly label your
submission as:
Sub: Long-term research (Your Name)
Critiques should be labelled:
Crit: Long-term research (Author's Name)
Would you like to discuss the long-term
research exercise? Use
the subject header:
DISC: Long-term research
(After the exercise is terminated, you can
still post an offer,
briefly
describing what you're offering and labelling it as:
Offer: Long-term
research (Your Name)
You can then send the text, and receive
critiques, privately.)
The current and previous exercises are
archived at:
http://www.internetwritingworkshop.org/pwarchive/index.shtml
Have fun!
Web site created by
Rhéal Nadeau and
the administrators of the Internet Writing Workshop.
Modified by Gayle Surrette.