Prepared
by: Patricia Johnson
Posted on: Sun, 9 Dec 2001
Reposted on: Sun, 23 Nov 2003
This week's exercise gets us involved in
poetry. Anyone who loves
and uses
language is a poet at heart. From nursery rhymes to great long poems
full of
form and rhythm like Longfellow's Hiawatha, everyone experiences
poetry. (Even
fiction and non-fiction use poetic devices.)
Poetry allows one to express the central
heart of an idea using
pared down and
succinct wording. Musical qualities, rhyme, rhythm, free verse,
symbolism and
other poetic devices enable our ideas to be expressed in poetic form.
Poetry
allows every author to think through what they are writing, and express
it in a
fresh new way.
Don't worry if you have no experience with
poetry, here is a helpful
site that
provides guidelines and a quick reference or refresher:
http://www.csustan.edu/english/reuben/pal/append/AXF.HTML
Think of a story and see it as a poem.
There are many examples of
stories made
into poems. One would be the story of Santa Claus told in the poem by
Major
Henry Livingston Jr.,(1748-1828), 'Twas the Night Before Christmas."
Here are
two verses from it:
And then, in a
twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in
fur, from his head to his
foot,
And his clothes were all tarnished with ashes and
soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.
This rhymes and has an iambic beat. But
poetry can be unrhymed as in
the free
verse form. Take for instance this poem by Rumi who was born in 1207:
When I remember your
love
I cry, and when I hear others
speak of you,
then inside my chest,
with its hollowness since your passing,
once again a rustling as in a dream.
Some more examples of poetry can be found
in song lyrics, like the
old nursery
song:
"Pop Goes the Weasel"
All around the cobbler's
bench,
The monkey chased the weasel,
The monkey thought t'was all in fun,
Pop! goes the weasel.
A penny for a spool of
thread,
A penny for a needle,
That's the way the money goes,
Pop! goes the weasel.
Most pop songs of today have lyrics and
poetic qualities - from
Madonna, to
Rap, to Elvis, there are poems in the songs we hear.
Edgar Allan Poe's "The Raven" is another
good example of a poem that
tells a
story, here is one stanza:
But the raven, sitting
lonely on the placid bust,
spoke only
That one word, as if his soul in that one word he did
outpour.
Nothing further then he uttered- not a feather then
he fluttered-
Till I scarcely more than muttered, "other friends
have flown before-
On the morrow he will leave me, as my hopes have
flown before."
Then the bird said, "Nevermore."
(You can see the full poem at
http://www.gutenberg.org/files/17192/17192-h/17192-h.htm
- try reading this aloud
to get the full effect of Poe's craft.)
Exercise: Take a scene or short prose
piece of preferably your own
work (but
you may use another writer's work also) and turn it into a poem. Submit
both
the main theme of the scene, in less than 150 words, and the poem so we
can
compare the two.
When you critique a submission, mention
the poetic devices you found
in the
poem and critique whether or not the main idea of the original story is
at the
heart of the poem. Have fun, remember, we are all poets!
Patricia Johnson's wrap-up
Thanks to everyone of you, poets, you made
this a very successful
exercise.
Great poems were submitted, it was hard to believe some were first
attempts.
The submissions often started with disclaimers like 'I'm no poet',
'this is a
first attempt, but it would seem our life-long exposure to poetry has
helped
each of us have a high level of skills that were apparent in the
submissions
and critiques. So, the title of this exercise is proven right in the
Practice-w
group - everyone's a poet.
Themes translated well from the prose
pieces to the poems. Everyone
had their
own style, and many poems took different slants on the ideas of the
prose
theme. Florence Cardinal mentioned that many of the poems placed more
emphasis
on emotions. Emotion and other devices such as rhyme, rhythm, the
senses, and
symbolism transformed the poems from prose into something of their very
own.
The differences expressed in the poems are that magic that separates a
poem
from prose.
The critiques were excellent. They were
professional and covered all
aspects of
the poems. Pointing out the poem's differences from a prose theme
enabled the
hidden treasures of a poem to be studied.
Rheal mentioned that there is a thread in
the writing list about
poetry. He
posted the poetry exercise with some comments at the writing list. Read
it - it
mentions that poetry does not have to be so symbolic and laden with
covert
messages that it becomes inaccessible to readers.
To quote Rheal in a separate post, "It's
great to see people start
with "I'm
not a poet", then come up with a great poem." I think all your
submissions
helped to prove his words right.
Web site created by
Rhéal Nadeau and
the administrators of the Internet Writing Workshop.
Modified by Gayle Surrette.